Syllabus for Mus 99 - Electronic Music Composition

Harvey Mudd College, Fall 2025

Instructor: Prof. Bill Alves

Monday / Wednesday 1:15 - 2:30 Shanahan B450


Nearly since the invention of the loudspeaker, electronic music has empowered composers to create new worlds of sound never before accessible to human ears. The introduction of free or inexpensive software has put these creative tools within the reach of anyone with a computer, regardless of musical or electronics background. You may want to learn synthesis, to realize your own music, or to explore new worlds of sound. This course will help show the way through free software, a history of earlier electronic music, and the principles of how sound can be created and manipulated for creative ends.

Although you will have access to a studio for recording or mixing, I will expect that you will download the free software we will be using on your personal computer. This software includes VCV Rack and Reaper. Reaper is not free but can be used without restriction for an extended trial period. Websites for both of these products include documentation, and many youtube and other tutorials are available.

In addition to the software, I will be assigning readings and listening lists, but no other textbook will be required. Because there are no prerequisites for this course, I expect that students will come from very disparate musical backgrounds, and neither a background in music nor in computers are required. Links to playlists and supplemental readings will be available on Canvas.

Evaluation

Quizzes11 x 2% = 22%
Listening Assignments3 x 5% = 15%
Music Assignments5 x 9% = 45%
Final project18%

Class attendance can also affect your grade (see below).

Music assignments: Most of the work of the semester will be in the form of assignments which involve the generation of music (though a background in music will not be necessary to complete them). These assignments have two due dates: at the first, an interim version of the project which works and fulfills most of the requirements and a final version. The Computer Music Studio is available for these assignments, though I expect that they can and usually will be completed on your own laptop or personal computer. All software required is free or has a free trial period and is available for all common platforms. If you have any problem downloading or getting the programs to work, please see me well in advance of the due date. Problems with the software may not be an excuse for late submission of an assignment.

Quizzes: Near the beginning of the semester, you should receive an email inviting you to access Melos, an online quiz system. Once you choose a password and confirm your email, you will have access to a series of quizzes on terms important to electronic music. We will cover these terms in class, and they can also be studied via lecture powerpoints, class readings, and general knowledge sites on the Internet.

Listening: In order to have experience with the short history of electronic music and inspiration for your own compositions, you will listen and respond to some playlists I have created. I will expect that you will apply the knowledge from class to analyze the music through critical listening, and it's not enough to say that liked (or didn't like) a piece. This does not mean that you have to have any background in music theory, just that you can talk about what happens in the music, how it is relevant to electronic music, and why it's interesting.

Final Project: The final project will be an original musical composition realized using software that we have covered this semester. I understand that some students will have experience in other software, which I support, but the purpose of this assignment will be in part to creatively apply the skills you have developed from this class. You will write a proposal for a final project, which may be approved immediately, or only after negotiated revisions if the proposal is not quite appropriate, sufficient, or practical. An interim recording and project files of your work-in-progress will be required before the final due date. A concert of all the class projects will take place during the last week of classes. There will be no other final exam.

AI Assistance: You may not use any AI tools to write, research, brainstorm, proofread, or otherwise assist you in completing assignments for this class.

Late Assignments: Late assignments will normally be penalized one letter grade per class meeting late, but late assignments will always receive some credit, no matter how late. Any assignments that are late because of illness, isolation, or other unavoidable problems will not be penalized.

Class participation and attendance: Much of the learning in class will come from in-class group activities and discussions. Your attendance and conscientious participation will benefit not only yourself but others in the class. Therefore, each unexcused absence after the first three will result in a reduction of 3 points from your final grade. Reasons for excused absences include college isolation, illness, family death, and religious holidays. Please do not attend class if you have any symptoms of illness. Reasons for unexcused absences include travel for clinic or athletics, grad school visits, and airline schedules for spring break. Also, please do not have laptops open during class, unless I explicitly give permission for an individual accommodation or for group work, for example. If you normally use your laptop to take notes, then you will need to find an alternative, like taking paper notes. Flat tablets, such as iPads, are acceptable, as long as they are only used for taking notes.

Accommodations: HMC is committed to providing an inclusive learning environment and support for all students. Students with a disability (including mental health, chronic or temporary medical conditions) who may need some accommodation in order to fully participate in this class are encouraged to contact Educational Accessibility Services at access @ g.hmc.edu to request accommodations. Students from the other Claremont Colleges should contact their home college's disability resources officer. You will find information about disability resources on the college website: https://www.hmc.edu/student-success/accessible-education/.

Mental Health Support: College students often experience issues that may interfere with academic success such as academic stress, sleep problems, juggling responsibilities, life events, relationship concerns, or feelings of anxiety, hopelessness, or depression. If you or a friend is struggling, I strongly encourage you to seek support. Helpful, effective resources are available at the 5Cs at no charge. The Office of Health and Wellness (wellness @ hmc.edu) has resources available to HMC students, and MCAPS provides crisis support services to the 5Cs 24/7/365 at 909-621-8202.


Course Outline

Dates may be revised depending on class progress.
DateTopicAssignment dueReading
Mon. Aug. 25Introduction and history of electronic music
Wed. Aug. 27Acoustics; VCV Rack
Mon. Sep. 1Labor Day
Wed. Sep. 3Acoustics; VCV Rack continuedQuiz 1: AcousticsDodge Chapter 2
Mon. Sep. 8Modular Synthesis & Envelope GeneratorsQuizzes 2 and 3: Acoustics
Wed. Sep. 10FiltersQuizzes 4 and 5: Synthesis
Listening response 1
Shepard Chapter 2
Mon. Sep. 15Stereo spaceMusic assignment 1: Subtractive synthesis instrument, interim versionShepard Chapter 5
Wed. Sep. 17Repeating modulationMusic assignment 1: final version
Mon. Sep. 22Audio-rate modulationRoads FM
Wed. Sep. 24InstrumentsQuizzes 6-8: Filters, modulation
Music assignment 2: Modulation instrument, interim version
Mon. Sep. 29SequencersMusic assignment 2: final version
Wed. Oct. 1Generative patches
Mon. Oct. 6Digital audioMusic assignment 3: Generative patch, interim versionDigital Audio Intro
Wed. Oct. 8Introduction to DAWsQuiz 9: Digital audio
Music assignment 3: final version
Intro to Reaper
Mon. Oct. 13Fall break
Wed. Oct. 15Musique concrète
Audio recording
Mon. Oct. 20Sampling
Audio editing
Using the studio
Recording with Amadeus
Wed. Oct. 22Digital signal processingListening response 2
Mon. Oct. 27MIDI and pluginsMusic assignment 4: Musique Concrète, interim versionIntro to MIDI
MIDI Summary
Wed. Oct. 29Surge synthesizerMusic assignment 4: final version
Mon. Nov. 3Ambient musicQuizzes 10-11: MIDI and Signal processing
Wed. Nov. 5No class: HSA Advising
Mon. Nov. 10Automation and signal processing
Wed. Nov. 12Mixing and dynamic effectsMusic assignment 5: Ambient, interim version
Mon. Nov. 17Modern electronic musicMusic assignment 5: final version
Wed. Nov. 19Guest speaker
Mon. Nov. 24Listening presentationsListening response 3
Wed. Nov. 26Thanksgiving break
Mon. Dec. 1Analysis of interim projectsInterim version of final project due
Wed. Dec. 3Analysis of interim projects
Sun. Dec. 7
7:00 p.m.
Concert of final projectsFinal project due

Accessing the Computer Music Studio

HMC students registered before the first class should have card swipe access to the Computer Music Studio. Non-HMC students need to get a temporary card from the Facilities and Maintenance Office, which is located in the basement of Platt Campus Center, the next building to the east of Shanahan. If you have registered for the course before the first day, a card will be available for you there during regular business hours. If you have added the class, you may need to ask me to get access to the studio.

Rules for using the Computer Music Studio

In order to keep the studio functional and safe for all students, you need to follow the following rules:
  1. There is no smoking at any time in the studio. Food and drinks are not allowed in the vicinity of equipment or on the same tables as equipment.
  2. Do not touch any equipment not directly related to this course without permission.
  3. It is all right to have a friend in the studio with you, but no one not enrolled in the course is allowed to be in the studio without supervision.
  4. Under no circumstances are you to remove, even temporarily, anything from the studio without permission.
  5. NEVER modify, disable, or delete any applications, system files, or other related files on the studio computer, even if you know what you're doing. Do not install any applications or system files on the studio computer without permission.
  6. Do not delete, move, or modify anyone else's files. There should be plenty of disk space, but contact me if there are any problems.
  7. Never touch any of the cables in the back of the patch bay or other equipment, even if you know what you're doing.
  8. The Claremont Colleges' Appropriate Use Policy applies to the studio computer.
Breaking any of these rules will be regarded as very serious and may result in the revocation of studio access privileges. Whenever you are using the studio, you are responsible for the studio and the equipment in it.

If there are any problems with the computer or any other equipment, please contact me AS SOON AS POSSIBLE by phone (x74170) or email, even if the problem does not affect you personally. My prompt attention to any technical problems will help your fellow students. accessible-education/.


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Updated on Aug. 6, 2025, by Bill Alves.